Art & Politics
Over the summer, I became more familiar with the socio-political structures that heavily influenced the work of the Italian Renaissance artists. In particular, the outsized influence of the Medici in the Republic of Florence. The Medici family came into their fortunes through banking and used those fortunes to “control” the area. Lavin (“David’s Sling and Michelangelo’s Bow”) writes that David, besides being an abstract autobiography of Michaelangelo overcoming the difficulties of working with that piece of marble, is actually a commentary on the “Medici-Goliath” (Lavin, 1990 p.140). This Goliath was a threat to the Republican nature of Florence that Michelangelo supported. With all of this political meaning overflowing from the statue, I’m not sure that most contemporary Florentines would have understood the message of David beyond the basic biblical reference.